Wednesday, February 29, 2012

Mark Sawicki On Visual Effects and Lighting

Mark Sawicki - Visual Effects
We recently teamed up Masters POV at the Cinematography Conference 2012. Mark Sawicki was one of the special guest speaker/instructor at the event.

Mark covered several topics from the event, and he also touched up on lighting. Before his transition into digital, Visual Effects cameraman Mark Sawicki documented the old style craftsmanship of the traditional optical cameraman. This program pays homage to an exciting craft that was handed down from one camera person to another in the last age of apprenticeship.

In the workshop “Stop Motion” Mark Sawicki demonstrated the cinematography considerations for two stop motion commercials including Green screen set up and exposure, creating synthetic shadows, front light back light and crowd replication.

After the event, we asked Mark a few questions:

With new technology constantly changing, especially, how we acquire images, how important is it to light your projects?

Proper lighting is the most important aspect in the creation of the image.  It creates the master template onto which we hang all the rest of the elements that make up the visual aspects of storytelling.  Lighting is so much more than merely obtaining an exposure.  New camera products touting the ability to shoot in extremely low light conditions gives the false impression that the use of lights is unnecessary.   Nothing could be farther from the truth or more damaging to the art form.

What’s your thoughts on story-telling with lighting?


We are surrounded by light every waking moment of our lives.  It effects us in so many subtle and invisible ways by creating impressions, moods and feelings that touch us time and again in our adventure through life.  The cinematographer orchestrates the music of light to tell stories with pictures that help define and focus the triumphs and tragedies of the human condition.


What would you say to new up-and-coming filmmakers about lighting and story-telling?


Young filmmakers today get very focused on narrow aspects of the movie making process.  Many times it is all about directing the actors and and other aspects of the process seem to get short shrift.  "Everything" in movie making needs attention starting with the story. Hair and makeup, costumes, set design, acting and camera are all vitally important and it is the lighting that brings all those visual elements together to make an effective photoplay.


Photo by: Russo Mutuc

Mark has over 30 years in the industry. He is an accomplished visual effects artists, actor, and writer. Here are some of Marks work. IMDB



Mark Sawicki documented the old style craftsmanship of the traditional optical cameraman. DVD.
 
Marks first feature film, called, "The Strangeness"


See full details from the Masters POV event.

President of Cinemills, Carlos De Mattos, Attended The Oscars 2012

This year, the president of Cinemills was part of the Oscars 2012. Carlos De Mattos, and his good friend Brian Ross, walked the red carpet amongst the Hollywood elite.

Carlos has a history with the Academy Awards, in the past, he has won an Oscar for technical achievement. 

The Cinemills LEDZ lights was also part of the red carpet event, lighting up the talent from the E! channel.
Taken with cell phone

Taken with cell phone

Taken with cell phone

Taken with cell phone

Taken with cell phone

Taken with cell phone

Saturday, February 18, 2012

Cinematographers Conference 2012

Updated blog (5:19 PM) Karl Walter Lindenlaub ASC/BVK demonstrates  lighting on stage for Day and Night.






Updated blog (2:09 PM) Now Mark Sawicki on the floor demonstrating the cinematography considerations for two stop motion commercials including Green screen setup and exposure, creating synthetic shadows, front light back light and crowd replication.






Updated blog (10:44 AM) Now Gabriel is starting to talk about lighting; cutting and shaping as needed.





Masters POV has officially started. We've just concluded the introduction to the event, and now given the floor to Mr. Gabriel Beristain ASC, BSC.

He is currently talking about film testing, and the important role of the cinematographer. He still wants to share to the world great story-telling and illumination, more importantly, the values or mastering the craft.







Blog and photos prepared by: Russo Mutuc

Friday, February 17, 2012

Live Update: Setting Up Masters POV At Avenue Six Studios


Cinemills is gearing up to light up this weekends event at Avenue Six Studios with Masters POV. With several volunteers on location, they are preparing to setup the set, and the guest speakers are making their way to the studio.

Below are photos of Karl Walter Lindenlaub ASC, BVK directing the lighting setup.

Set design by: Katerina Goode http://www.katerinagoode.com/
Taken with cellphone camera
Taken with cellphone camera
Taken with cellphone camera
Taken with cellphone camera
Taken with cell phone camera
Taken with cellphone camera
Taken with cellphone camera
Want more? Follow our LIVE UPDATES for more behind the scenes. Brought to you by Cinemills.


Blog prepared by: Russo Mutuc

Thursday, February 16, 2012

Cinemills Lighting Gear For Master’s POV Cinematography Conference 2012



Here are the list of lights being used at this years Cinematography Conference 2012. Cinemills has partnered up with Masters POV, and some of the top industry DP's will be using Cinemills lights at the workshop. 

  • GABRIEL BERISTAIN, ASC, BSC
  • ALLEN DAVIAU, ASC,
  • ROBBIE GREENBERG, ASC, 
  • KARL WALTER LINDENLAUB ASC/BVK,
  • MARK SAWICKI
    SAMPLE WORKSHOP

    Workshop: Lighting on Stage for Day and Night – Karl Walter Lindenlaub, ASC, BVK (Part 1)

    Karl Walter Lindenlaub, ASC, BVK, has photographed a variety of features from summer blockbuster movies to small, intimate dramas and romantic comedies, known for such pictures as INDEPENDENCE DAY, CHRONICLES OF NARNIA: PRINCE CASPIAN, and STARGATE. He has a lot of experience with complex effects heavy movies and commercials, that he will share with you in his workshop and seminar.

    In his workshop “Lighting on Stage for Day and Night”, Karl Walter Lindenlaub will demonstrate how to create different looks for an apartment set. These tools give the cinematographer ways to support a dramatic story by bringing a set on stage to life. Different ways to create sun light, soft day light, as well as Dusk and Night light will be discussed, and as time permits, demonstrated.










Tuesday, February 7, 2012

CINEMILLS Head Engineering and Designing Department, Shamil Erfanian, Discussing New Product Development with, Gabriel Beristain, ASC/BSC

Recently, Head Engineering and Designing Department, Shamil Erfanian, met with the very talented Gabriel Beristain ASC/BSC. 

Cinemills' success is working side-by-side with the industry professionals, like, Mr. Beristain, and listening to their suggestions on product development. Creating relationships to better improve the needs of the artists, in the field.
Gabriel Beristain and Shamil Erfanian at Cinemills HQ

Wednesday, February 1, 2012

Live Update: Masters POV and Karl Walter Lindenlaub, ASC/BVK at Cinemills Headquarters

February 1, 2012 - Masters POV representative, Rametin Movahhed, and guest speaker, Karl Walter Lindenlaub, ASC/BVK came by the Cinemills headquarters today to talk lighting with
Michael Walsh, Chief Lighting Technician
.

As the Cinematography Conference 2012 draws near,  plans are on the way to prepare lighting for the event.

What a great experience to be in the room with painters of light, so much wealth and knowledge being shared.

Photo by: Russo Mutuc
Cinemills was proud to have Karl Walter Lindenlaub, ASC/BVK at the headquarters today. We admire Karl's work in the motion picture industry. ( IMDb page)



Are you ready for the event? If not, see Masters POV for more details.